Discipline Category: Writing and Publishing

S.M. (Samantha Mary) Beiko is an award-winning author of young adult fantasy, and the artist and writer of the graphic novel series KRAMPUS IS MY BOYFRIEND! She has worked in the book publishing industry as an editor and graphic designer since 2010, both freelance as well as for established publishing houses. She has won the Aurora Award for Best Artist multiple times, notably for her covers for Laksa Media.

Beiko's novels have been published by ECW Press in Toronto since 2013. Her first novel, THE LAKE AND THE LIBRARY, was nominated for the Manitoba Book Award that year, while SCION OF THE FOX won the Copper Cylinder Award for science fiction in 2018. She was the co-editor on the original comics anthology GOTHIC TALES OF HAUNTED LOVE (Bedside Press), and the sole editor on its follow up, GOTHIC TALES OF HAUNTED FUTURES. Her current series, The Brindlewatch Quintet, are capsule stories featuring queer characters and cozy monster romance. Her short fiction has been published in the following anthologies: GUSH, THAT WITCH WHISPERS, PARALLEL PRAIRIES, plus a short comic in DIRE BEASTS.

Beiko is also the sole creator (artist and writer) of KRAMPUS IS MY BOYFRIEND!, a slice of life teen romantic comedy which won the 2020 Aurora Award for Best Graphic Novel, and was nominated for the Joe Shuster Award for Best Webcomic that year. It is ongoing and self-published.

Beiko's freelance editorial work covers all aspects of developmental editing for prose fiction. She specializes in science fiction, fantasy, and horror, and also edits and art directs for comics and graphic novels at all stages (from pitch to script to layouts and finals). She has a studio in downtown Winnipeg's Exchange District, and is the Artistic Director for Prairie Comics Festival.

A graduate of the School of Fine Arts, Amine Hob has built his artistic path through diverse creative experiences. Passionate about visual storytelling, he now focuses on digital illustration and 2D animation. He has created several animated works that combine strong graphic design with visual narrative.
 His work has been recognized at a national level, including an award in digital creation. His artistic universe blends high visual standards with contemporary exploration.

Une ligne horizontale transpercée par un regard serpenté suivant un mouvement vertical d’un levé du soleil, une envie sincère pour de nouveaux horizons, à la recherche du bien être et a la connaissance de l'être, éliminer parfois le malaise du manque de savoir vis a vis a notre propre existence en quête de l'Autre , parler, partager, communiquer avec des esprit créatifs, profiter tout simplement de cette source d’énergie qui est l'humain, tell’ est l’essence essentiel de ma propre volonté.

Gillian Crawford is a self-described creative and grief walker of Métis and settler ancestry, living on Treaty One Territory. She is the creator of The Connection Desk, a small participatory public art installation in Winnipeg’s North End that explores grief and invites meaningful engagement.

Her eclectic and ever-evolving practice spans multiple mediums including poetry, photography, and installation. Her work is deeply rooted in the landscapes of home, exploring identity and uncovering the sacred in everyday life. Since the death of her father in 2024, Crawford has been transmuting a grief larger than her physical form into art, connection, and community—meeting herself anew along the way and discovering what each evolving self has to offer the world.

I have an eclectic mix of interests reflected both in my personality and work. From Japanese pop culture and history, folklore, gaming, to gothic/cute street fashion and more! If I find it engaging and fun, I want a piece of it; I want my creative practices to be centered on joy!

I was raised on books and visual arts in all their myriad forms. So, of course, that's where my creative outlets flourished! From as early as grade one I was writing and illustrating, surprisingly tragic and dramatic, stories to share with my classmates and teachers.

I have one novel self-published, with more on the way, and several small pieces published in local libraries and such. My inspiration derives from whatever emerges from my head, be it in the form of dreams, random thoughts, or unexpected eureka moments.

Natalie Mark 麥月明 is a local Winnipeg/Treaty 1 illustrator and cartoonist.

In 2023-4, Natalie received an award for emerging cartoonists and made a comic for CAKE Chicago. They have also facilitated various community and public art projects for Winnipeg’s Chinatown, and run many art and comics workshops in Winnipeg and beyond including the Snoopy and the Red Baron traveling exhibit from the Charles M. Schulz Museum, at VanCAF in Vancouver, and MICE in Boston.

Natalie’s comics are somewhere between a reflection of life and small curiosities. Their work plays with myth-making and whimsical fantasies projected onto social realism. Storytelling is Natalie's primary tool for understanding themselves and exploring the world around them.

When they are not drawing, Natalie loves going to their local library, playing TTRPGs, and going on picnics! Visit their site: https://nataliemark.ca or follow along with their art journey @floodkiss across the internet.

Claire Johnston is a Red River Métis and settler visual artist based in Winnipeg/Treaty 1 Territory. As a Two-Spirit Piitoshi-iteeyihtam (one who thinks differently), Claire engages in creating slow meticulous floral beadwork that responds relationally to the past and present.

Claire is an artist and team member with the Re*Storying Autism project (Queen's University), which works to combat Western, colonial, capitalist, and biomedical understandings of Autism through Autistic storytelling and narratives that affirm difference as desirable and needed.

As part of Canada’s official entry to the 2025 Venice Biennale, Claire was selected as a fellow to engage in research on Venetian seed beads and their connection to Métis beadworkers past and present. Their artwork has been acquired by permanent collections at the University of Manitoba (2024) and has exhibited at Urban Shaman (Winnipeg 25’), Rosemary Gallery (Winnipeg 24’), Tangled Arts (Toronto 22’, 24’), Festival du Voyageur (Winnipeg 24’), Venice Biennale of Architecture (Venice 23’) and The Bill Reid Gallery of Northwest Coast Art (Vancouver 22’).

Claire is a Sundancer, a step-parent, an auntie, and an MMF citizen with membership with the Two-Spirit Michif Local.