Printmaking

Chris Foster creates semi-representational landscape and flower paintings in oil, acrylic and watercolour that use expressive colour and light … sprinkled with a touch of whimsy.

Chris has always been an admirer of the brushstrokes and techniques of Chinese/Japanese art and will often incorporate some line work influenced by those cultures.  A more recent discovery has been creating collage and mixed media pieces....again embracing line work and shapes.

​Growing up on the Canadian prairies  -Chris now spends 5 months every year in the beauty of the forests and lakes of the Canadian Shield.  This has provided her with landscapes that offer a kaleidoscope of colour and amazing light which provide never ending inspiration.  This home turf coupled by some amazing cultural world trips have become her painting catalogue.

Raised for the most part in Quebec, Jan Jenkins worked in Alberta’s energy industry until she moved to Manitoba where she now creates original art for smaller spaces and wearable art for that unique look.  Her work is influenced by the meditative art form of zendoodling along with intricate repeating patterns found in textiles, decorative tiling and nature.  Most memorable for Jan are having two of her designs selected by the town of Russell, MB to adorn their decorative main street steel arches, having her In The Wind artworks included in Manitoba Art Network’s touring exhibition program, and participating in a Manitoba Arts Network digital collaboration videography project with musician Raine Hamilton.  She is a member of the Manitoba Society of Artists, The Drawn Together Collective, the Art Gallery of Soutwestern Manitoba, Wasagaming Community Arts and Arts West Council.  For more information about Jan and her art please visit www.janjenkins.art

I am  a multidisciplinary visual artist, educator and visual arts advocate. I live at Schist Lake in Northern Manitoba. I work out of a studio there and at the Northern Visual Arts Centre (NorVA) in Flin Flon, MB.

Artist Statement Karen Clark

I am thrilled by the idea that people making and appreciating art works share so much with one another. This sharing is important to inspire conversations that are necessary in Canada today.

I paint the landscape here in the Boreal forest from the vantage point of my kayak or canoe. The terrain here is edgy and sharp. This is my cup of tea.

Most recently I find  myself focused on the local mine processing site nestled next to us here in Flin Flon. It is a remarkable juxtaposition, over 600 hectares devoted to extraction, crushing , smelting, prepping ore and managing waste products from those mining processes.The working title, The Long GoodBye, refers to the boom and bust cycle common to mine based towns throughout the world.

Acknowledgement

My generation has seen the deconstruction of Canada’s colonial past. I follow the Truth and Reconciliation Commission and the investigation of Murdered and Missing Indigenous Women and Girls with a growing sense of horror and shame. Having my roots as a settler in this land, I have a shared sense of confusion and perplexity as to how we - settlers and Indigenous people - carry on together. As a result I find myself questioning my place in this landscape which is so fundamental to my sense of self.