Theatre

Sarah Flynn is a performer and an award winning playwright and the Artistic Associate at Manitoba Theatre for Young People. Sarah studied Theatre Performance at the University of Winnipeg, is a self-taught puppeteer, became a Baby Clown at the Clown Farm, and trained in Suzuki technique with SITI Company. Sarah has performed in theatres, schools and community centers across Winnipeg, the Manitoba Interlake, and Italy. Sarah won the Harry Rintoul Award for Best New Manitoba Play at the 2022 Winnipeg Fringe Festival for her play Whatever Happens After?. Sarah enjoys frolicking in forests, lighting things on fire, and playing with her food.

Recent performance credits include; By The Spit of Your Tongue (Buried Seeds Prod.), How To Live Forever (Hypothetical Projects), Whatever Happens After? (Naked Theatre), Teatrino (Educo Italia), Romeo & Juliet (PocketFrock Prod.), Mary’s Wedding (Theatre Projects MB).

Recent playwriting credits include; By The Spit of Your Tongue (Wpg Fringe), Whatever Happens After? (Wpg Fringe), Deuce (Wpg Fringe Monologue Slam), Little Dead Lady (IbsenFest), Luna’s Suitcase (Wpg Fringe)

A graduate of the School of Fine Arts, Amine Hob has built his artistic path through diverse creative experiences. Passionate about visual storytelling, he now focuses on digital illustration and 2D animation. He has created several animated works that combine strong graphic design with visual narrative.
 His work has been recognized at a national level, including an award in digital creation. His artistic universe blends high visual standards with contemporary exploration.

Une ligne horizontale transpercée par un regard serpenté suivant un mouvement vertical d’un levé du soleil, une envie sincère pour de nouveaux horizons, à la recherche du bien être et a la connaissance de l'être, éliminer parfois le malaise du manque de savoir vis a vis a notre propre existence en quête de l'Autre , parler, partager, communiquer avec des esprit créatifs, profiter tout simplement de cette source d’énergie qui est l'humain, tell’ est l’essence essentiel de ma propre volonté.

Miles S. Crossman is a Brandon, Manitoba based producer, director, and writer who has spent the past several years building film production capacity in rural Canada. He financed and produced two Manitoba-made features, The Farm Hand (2022) and Homesick (2026), and co-produced Heartland Homicide, a 26-episode docuseries, alongside Winnipeg's Farpoint Films, a partnership that grew into writing and story editing credits across more than 250 hours of broadcast true-crime and documentary television. His directorial debut, The Princess & The Dragon (2026), won Best Horror Film at the Liverpool Indie Awards and Best Feature Film at the Bloody Horror International Film Festival. Crossman holds a Master of Arts in Film Studies from Staffordshire University and got his start directing short films and stage productions in Manitoba before moving into series television. He will release his first novel, The Remnant, in 2027, which has already sparked interest in a film adaptation. Miles continues to pursue opportunities that keep production dollars and crews working in rural Canada.

Joseph is a Winnipeg playwright, composer and designer. His works include the play How the Heavens Go, and the musical Bloodless: The Trial of Burke and Hare, which received a Dora Mavor Moore Award nomination for Outstanding New Musical. A veteran of the Winnipeg Fringe Theatre Festival, Joseph is a two-time winner of the Harry Rintoul Memorial Award for Best New Manitoban Play, and the author of several hit Fringe musicals including Bloodsuckers!, Illuminati, and Lucrezia Borgia. He is a Playwriting graduate of the National Theatre School of Canada.

As a composer, arranger and sound designer, he has worked on several Winnipeg productions, including Jabber and Danny, King of the Basement for Manitoba Theatre for Young People, Ordinary Days for Winnipeg Studio Theatre and Liars at a Funeral for Prairie Theatre Exchange.

A lifelong computer geek with a B.Sc. in Computer Science, Joseph is also an avid coder, and is currently exploring the world of video game development and interactive storytelling.

Erica Wilson is a Saulteaux Artist on Treaty 1 Territory. Her art is rooted in Authenticity, Curiosity, Humor and Sacred Rage. Erica collaborates as an artist for community but is branching out into solo projects for 2026/27.

Her personal artistic style is a slower process to honor the bond between mind and hands in theatre that includes: mask making, costume building and puppetry. The balance for the body is tying it together with contemporary movements and burlesque.

Where she thrives is within community spaces and creating celebrations. Currently the Arts community director for medium-sized organizations and board member of the Winnipeg Arts Council. Past highlights: Creation advisory circle member with Indigenous Youth Roots and the National Screen Institute as co-manager for the TikTok Accelerator for Indigenous Creators.

The foundations of her skills are being a facilitator conducting theatre based workshops on topics of communication, public speaking and channeling group creativity strategies.