Ethan Ritchot

Norine Harty is an experienced administrator who has worked in the non-profit sector, in arts, cultural, and social services organizations. She has a passion and commitment to cultivating arts practice, appreciation, and accessibility.  Norine studied Education at the University of Regina and Business Administration at Assiniboine Community College.  An enthusiastic musician, she began studying piano as a child and continued with advanced piano studies and taught piano lessons in her home studio.  She has recently begun learning the ukulele, a much more portable instrument.  Norine grew up in a family that was dedicated to giving back to the community, which has influenced her commitment to volunteering.  Norine practices acrylic and watercolour painting and is the current President of the Fire & Water Music Festival.

Pink Panda (they/she) is a street artist and painter based in Winnipeg on Treaty 1 Territory.  Working across chalk, spray paint, acrylics, and UV-reactive paint, their practice began with chalk drawings of original monster characters inspired by childhood imagination. Over time, their work has evolved into a deeper exploration of identity, expressed through vivid colour palettes and intricate line work rooted in mindfulness and the present moment.

In the warmer months, they can often be found longboarding around Winnipeg, leaving chalk drawings for passersby and performing live “pop-up” painting installations. These temporary art pieces embody their mantra of “Be in the moment” and serve as a reminder of the beauty in letting go.

Pink Panda has showcased their work in three solo exhibitions and several group shows. Beyond exhibiting their art, they enjoy sharing their passion as a guest artist at schools, organizations, events, and summer camps, engaging with audiences of all ages. Each summer, Pink Panda also hosts inclusive spray paint workshops, inviting participants to explore creativity in a welcoming environment.

Nichol Marsch (she/they), is a Metis artist/artisan from rural Manitoba (Treaty 1). Her practice is primarily based in large-scale multifaceted installations involving a variety of mediums and grounded in fine craft processes. Nichols favourite mediums include ceramics, textiles, wood, and collected/found objects. In addition to their conceptual visual art Nichol is also an active beadworker and practices a variety of traditional crafts processes which often make their way into her more conceptual work.